Publishing the Harry photos WAS in the public interest

I rarely agree with Rupert Murdoch. But in this instance I think he's absolutely right; the Sun's publication of the Prince Harry photos was completely justified and in the public interest.

Let me put my cards on the table to begin with. Despite considering myself a progressive liberal in many ways, and despite often having plenty of rather bitter anti-British sentiment welling up inside me, I'm also an unashamed card-carrying royalist. If Carlsberg made monarchies, theirs would live at Buck House without question. So those are the filtered glasses through which I view this whole affair.

I'm rather ambivalent about Prince Harry in general. Playboy princes are nothing new and if he wants to take advantage of his situation to go off to Vegas, stay in a $5000 a night suite, get battered and get a load of blonde American girls to strip for him, then fair play (as long as it's not the taxpayer who pays, and in this case it wasn't). I've no doubt that I'd think he was a bit of a cock if I met him, but there are plenty of people who are a bit of a cock. I would say that up to a point, it's his decision what he does with his life, and it doesn't bother me personally what he gets up to.

Now the public interest question is important. As the phone hacking stories - and many others besides - have shown, The Sun has no moral perch whatsoever from which to preach on this issue. They have shown time and again that they will bend and break every rule, whether written or unwritten, regarding press ethics and I hope that the Leveson enquiry come up with some robust conclusions and recommendations. The "public interest" defence is used widely to justify all sorts of horrendous invasions of privacy to do with vacuous celebrities, with weak lines trotted out about how because someone has earned a wad of cash from selling albums or movies, that they have some sort of moral obligation as a "role model". This is all nonsense.

But in Harry's case, I think there is undoubtedly a public interest at stake here. Prince Harry is third in line to the throne, which means that anything he says and does could be taken to represent the Royal Family as a whole, whether in public or in private. I'm not particularly interested in whether this party counts as public or private; a bit like the little boy from Sparta, it's the fact that it was allowed to enter the public domain at all that is the issue. And why is it in the public interest? For me, it is the question of whether Harry has brought the Royal Family into disrepute.

Hold your fire, Eoghan, I hear you say; how could a lad taking advantage of his situation and acting like a (relatively) normal bloke possibly be interpreted as bringing the Royal Family into disrepute? I refer you back  to my comment that the British Royal Family is the blueprint for royal families around the world.

The British Royal Family is no bicycle monarchy. It sits proudly on pillars of dusty Victorian ideals and nostalgia. Over the last sixty years, with little help from her offspring, The Queen has made an exhausting effort to make the monarchy a symbol of respectability and stability - of apolitical elegance.

Never was this better summed up for me than in the magnificent scene with James Bond in the Olympic opening ceremony. The Queen's appearance was terse; she said a total of four words. Out of context, the scene was staid and dull. It was only in the context that The Queen has created - a monarchy which does not doff its hat to frivolity - that her cameo was so brilliant. Professional as ever, but allowing a flash of humour to escape, it was a performance which lasted seconds but which had been rehearsed for six decades. Prince Harry himself could actually have jumped out of the helicopter and parachuted into the stadium and it would not have created as much of an impact. But where the values of the monarchy are diluted, its effectiveness wanes, and Harry's antics may have gone against the grain of the values that The Queen upholds so dear.

As such, the monarchy is a symbol of Britishness overseas, which cannot be doubted by royalists or republicans alike. Which means that if there is a possibility that Harry has brought the monarchy into disprepute, there is also the possibility that he has brought the entire country into disrepute; Brand Britain may have been damaged. I do not pass judgement on whether he has; I honestly don't know where I stand on the issue (not sure I'm bothered either way). But the possibility exists that he has. Which, in my mind, means that this is sans doute an issue that is in the public interest and something which should be discussed in the open. With the evidence for all to see.

As ever, views are personal.

Theatres and companies

This isn't really a blog post, more a list of links, mainly for my own convenience, of the theatre companies and (London) theatres that matter.

Companies

Complicite
Biuro Podrozy
Kneehigh
Frantic Assembly
DV8
Punchdrunk
Grid Iron
National Theatre of Scotland
Filter
RSC
Sound & Fury
Dreamthinkspeak
Propellor
Ontroerend Goed
The Paper Birds
Shunt

Theatres

Little Angel
Tristan Bates Theatre
Camden People's Theatre
Lyric
Donmar Warehouse
The Old Vic
Young Vic
ENO
Royal Opera House
Hampstead Theatre
Bush Theatre
Soho Theatre
Almeida
National Theatre
Barbican
Old Vic Tunnels
Royal Court
BAC
The Tricycle

We were all so wrong

Nothing I say will be new or unique here.

But I wanted to admit that like so many other people, I was wrong.

I have a clear memory of that roller-coaster 24 hours on the 6th and 7th July 2005. I had a few weeks to waste, with a summer job lined up but nothing to do in the meantime. This was also a time when I was a casual party member of the Liberal Democrats - basically I shelled out ten quid and they spent about half that on stamps for letters asking me for more money. During my period of idleness I was bombarded with emails requesting help at a by-election in Cheadle, where Mark Hunter was up in a furious battle with the Tory candidate. With nothing better to do, I took a leap of faith and plunged into political campaigning for the first - and last, as it transpired - time. I had a fantastic few weeks, met loads of incredible people, tramped the streets with luminaries like (Lord) Tom McNally, heard loads of fascinating stories and ended up getting quite close to some very senior people in the party. It was a hoot.

One day when shoving a leaflet through a letterbox, a dog took exception and decided to have a good go at my knuckles, leaving me with a graze and plenty of paranoia about tetanus. So it came to pass that on the afternoon of 6 July, I watched the announcement in the waiting room of a Staffordshire A&E department. I remember the elation, the screams...and the call, in the nick of time, for Mr O'Neill to see the doctor please. (He took one look at my minor graze and laughed in my face).

I remember the following day too - it was a special one for us, for the then leader, Charles Kennedy, was to come and give a speech to rouse the troops. Sure enough, CK turned up first thing in the morning, but there were worried whispers and dark rumours spreading around the office of something terrible happening in London. CK was ushered into the kitchen with a portable radio - he needed to be able to hear the Prime Minister's speech on the bombings, so he could give his reaction.

Fast forward seven years and my excitement grew slowly and steadily. The Olympics have always represented something special to me - the pinnacle of sport, something pure and true, competing for the sake of competition, unsullied by anything else. But for the last few months, I was infected with a cancerous cynicism. The allocation of tickets I found tolerable - demand was always going to outstrip supply. The fact that I would have had to sign up for a new credit card in order to buy some, I did not find tolerable. I refused to apply for any on general principle, and started to be overwhelmed with a blanket of bitterness. But then the other stories about sponsors started to creep out. The Games Lanes - facilitating Coca-Cola execs to be whisked around London like royalty while real Londoners sat in tailbacks. The fact that you wouldn't be able to buy chips, because McDonald's said so. The fact that someone was going to be paid to go around covering up logos on the hand dryers in the toilets, because they weren't an official sponsor. The branding police. Horror story after horror story was leaked, and I felt a weary sense of depression about corporate inevitability.

Then there was the feeling of dread about the infrastructure. I'm well versed in the uselessness of the Jubilee Line, and with a fortnight to go there was a series of catastrophic failures. With London being swamped with extra people, there was no way the tubes would cope. London would choke up and fail, a mediocre town masquerading as a global city, like Atlanta in 1996. I looked forward to the Olympic Games not with anticipation but with apprehension. This was to be a sorry mess.

I decided to volunteer for a hefty chunk of the Games - not as a Games Maker but in my usual rather more mundane capacity which I'm immensely proud of. On the night of the Opening Ceremony I was on the streets of Bloomsbury - Tottenham Court Road was deserted. It was surreal. I went home feeling rather flat. But then I hadn't seen the Opening Ceremony.

I must admit that I've never bothered watching an Opening Ceremony before. I assumed it was just a glitzy pageant with lots of sequins, naff music, fireworks and jingoistic bollocks. I watched the ceremony on iPlayer the next morning and felt a rather unusual emotion. I've always been a proud Londoner. I'm a proud Australian. I'm a fiercely proud Irishman. But even though I was born in Hammersmith, there's something which I rarely feel but which Danny Boyle managed to ignite. I felt a sudden uprush, an explosion or pride in being British.

The Opening Ceremony was designed for British people. The sequences - particularly the TV montages - were full of injokes for Britons. Michael Fish, the Shipping Forecast, EastEnders, Soho sex shops, Great Ormond Street - all were referenced in at least a passing way. This was our Games, said Boyle, and it's for us. Some bits didn't work. The "digital love story" was naff and McCartney was cringeworthy.

But the best moment was Bond. It was understated and perfect. It was just so Bond. It wasn't Daniel Craig; it WAS Bond. You sensed that the curl of his lip at the footman was real, the swagger was just right. But the star of the show? The Queen, of course. Her "Good evening, Mr Bond" wasn't a line that had been rehearsed for a few minutes; it was a line that had 60 years of preparation. Our Queen is no Juliana of the Netherlands; it's the fact that she has been so invisible for the last six decades that made that line so wonderful.

As for the rest of the Games, everything has already been said. They were majestic, awe-inspiring, wonderful. I went to the table tennis and had a great time. I watched more Red Button in two weeks than in the previous two years put together. I screamed at the TV whilst watching handball and archery, weightlifting and gymnastics. I cheered on Mo and Bradley. I let out a broad grin for Usain. The Olympics did everything I'd hoped and more.

The BBC coverage was superb from start to finish. Michael Johnson was a star but my surprise hero of the games was the camp-as-Christmas, dry-as-Prosecco Ian Thorpe. Balding and Barker, Jackson and Boardman, they were all fantastic, and the multiple coverage just demonstrated how lucky we are to live in an age of such rapidly advancing technology.

But my cynicism was behind me, and I was happy to be wrong. The tube was fantastic (I even came through City Airport at rush hour midway through the first week, without a hitch). The branding police were happily low-profile. LOCOG were not the faceless, unsmiling bureaucrats we'd all imagined ruining our Games. Yes, there were hitches with the sponsors not bothering to turn up for the events (and shame on them all) but for the most part, these Games were utterly fantastic.

Best of all, the traditions. The Olympic Rings are surely one of the most powerful, evocative logos in the world. The lighting of the flame at the Temple of Hera and journey to the Cauldron. The symbolism of the Marathon. The Olympic spirit. The Olympics DO have a purity that is absent in so much of society these days, a complete antidote to the usual summers of Sky Sports screaming about football transfer rumours.

Like most of London today, I feel bereft. There's a huge black hole where before we had something to look forward to. But like my mum with her memories of Olympic Rings on her school exercise books in Gippsland in 1956, I will have memories to last me a lifetime, even if most of them will be from the TV. London, we put on the greatest festival on earth, and I'm so proud.